a.l.rougier83@gmail.com Mary Kate Maher Kurt Steger Ben Godward Brent Owen Roxanne Jackson Jeff Feld Wendy Klemperer Alain Kirili Aaron Johnson, Dawn Frasch, Leonard Reibstein, Laura Moriarty, Doug Parry and Paul Brainard On view at The Lodge Gallery April 22 through May 31 POST HUMAN UTOPIA Artists include: Sarah Bereza, George Boorujy, Kate Clark, Peter Daverington, Valerie Hegarty, Ryan McLennan, Lori Nix, Jean-Pierre Roy, Ryan Scully and Doug Young. Propagation is an installation by Naama Tsabar that has been exhibited in various international venues and will be translated into a socially engaging public sculpture. The walls are each fitted with a different type of musical stage equipment (an amplifier, guitar, a stage monitor), so that the amplifying part is embedded in the internal, hollow part of the wall. Like a room dismantled into individual components, the walls face in different directions, supported by everyday, functional objects. The walls physical composition forms a disassembled room arranged around the garden. Visitors can plug into the equipment-walls and play/sing/transmit sound through the installation, thus creating a form of stage/rehearsal room for spontaneous performances, an intimate/private performative space. Performance by skilled musicians will be scheduled at regular intervals during the exhibition period. PROPAGATION (OPUS 2) Jansson, It was good talking with you at NADA. Kenny and I would like to follow up with a studio visit next week, as discussed. We have a group exhibition coming up early next month that might be a great fit for some of your older works, if they are still available, specifically Sag Lake Rampage 2004 and The Pilgrim 2004. The show is titled Heathen Fundamentalist; An Ode to Philip Guston, with 10 artists including Aaron Johnson, Dawn Frasch, Tom Sanford, Leonard Reibstein, Laura Moriarty, Doug Parry and Paul Brainard. This group show is one possibility, we do like your newer works and would like to see more of them, of course. Let me know your availability during next week, and talk soon. Thanks, recently opened: “Equal” Richard Serra David zwirner Gallery, 456 W18th St., NYC Keith Edmier’s newest sculptures are monumental. They are intended to allude to a multiplicity of histories including the artist’s recent past, rather than commemorate one particular time or event. Each artwork’s meaning is derived from both the material it is built of and the form that it takes. Thus, the structures exhibited in Regeneratrix refer to a myriad of positions: the languages of flowers, the cycles of life, Cesare Ripa’s personifications, geological strata, ancient and religious goddess myths, new and old empires, and histories of architecture and art. pictured: Every Man Has His Tastes, 2013-2014 chair and ottoman, glazed ceramic, ceramic objects, paint paper, paint, glue, aluminum foil, tape, wire approx 12" x 6" x 4" each